Deep underground in Poland lies something remarkable but little
known outside Eastern Europe. For centuries, miners have extracted salt
there, but left behind things quite startling and unique. Take a look at the
most unusual salt mine in the world.

From the outside, Wieliczka Salt Mine doesn’t look extraordinary.
It looks extremely well kept for a place that hasn’t mined any salt for
over ten years but apart from that it looks ordinary. However, over two
hundred meters below ground it holds an astonishing secret. This is the salt
mine that became an art gallery, cathedral and underground
lake.

It may feel like you are in the middle of a Jules Verne adventure
as you descend in to the depths of the world. After a one hundred and fifty
meter climb down wooden stairs the visitor to the salt mine will see some
amazing sites. About the most astounding in terms of its sheer size and
audacity is the Chapel of Saint Kinga. The Polish people have for many
centuries been devout Catholics and this was more than just a long term
hobby to relieve the boredom of being underground. This was an act of
worship.  

Amazingly, even the chandeliers in the cathedral are made of
salt. It was not simply hewn from the ground and then thrown together;
however, the process is rather more painstaking for the lighting. After
extraction the rock salt was first of all dissolved. It was then
reconstituted with the impurities taken out so that it achieved a glass-like
finish. The chandeliers are what many visitors think the rest of the
cavernous mine will be like as they have a picture in their minds of salt as
they would sprinkle on their meals! However, the rock salt occurs naturally
in different shades of grey (something like you would expect granite to look
like).

Still, that doesn’t stop well over one million visitors (mainly
from Poland and its eastern European neighbors) from visiting the mine to
see, amongst other things, how salt was mined in the past. 

The religious carvings are, in reality, what draw many to this
mine – as much for their amazing verisimilitude as for their Christian
aesthetics. The above shows Jesus appearing to the apostles after the
crucifixion. He shows the doubter, Saint Thomas, the wounds on his
wrists.  

Another remarkable carving, this time a take on The Last Supper.
The work and patience that must have gone into the creation of these
sculptures is extraordinary. One wonders what the miners would have thought
of their work going on general display? They came to be quite used to it, in
fact, even during the mine’s busiest period in the nineteenth century. The
cream of Europe’s thinkers visited the site – you can still see many of
their names in the old visitor’s books on display.

These reliefs are perhaps among some of the most iconographic
works of Christian folk art in the world and really do deserve to be shown.
It comes as little surprise to learn that the mine was placed on the
original list of UNESCO World Heritage Sites back in 1978.

Not all of the work is relief-based. There are many life sized
statues that must have taken a considerable amount of time – months, perhaps
even years – to create. Within the confines of the mine there is also much
to be learned about the miners from the machinery and tools that they used –
many of which are on display and are centuries old. A catastrophic flood in
1992 dealt the last blow to commercial salt mining in the area and now the
mine functions purely as a tourist attraction. Brine is, however, still
extracted from the mine – and then evaporated to produce some salt, but
hardly on the ancient scale. If this was not done, then the mines would soon
become flooded once again. 

Not all of the statues have a religious or symbolic imagery
attached to them. The miners had a sense of humor, after all! Here can be
seen their own take on the legend of Snow White and the Seven Dwarves. The
intricately carved dwarves must have seemed to some of the miners a kind of
ironic depiction of their own work.

The miners even threw in a dragon for good measure! Certainly,
they may have whistled while they did it but the conditions in the salt mine
were far from comfortable and the hours were long – the fact that it was
subterranean could hardly have added to the excitement of going to work each
morning.

To cap it all there is even an underground lake, lit by subdued
electricity and candles. This is perhaps where the old legends of lakes to
the underworld and Catholic imagery of the saints work together to best
leave a lasting impression of the mine. How different a few minutes
reflection here must have been to the noise and sweat of everyday working
life in the mine.